The Pulitzer Prize-winning criticism from Kennicott included his confrontation of the nature of corporate America in an exhibit on Kevin Roche, the strange and dark allure of violence and misfortune in a powerful, post-Newtown essay “Why do we stare?” and the ethics of our age-old, perverse delight in others’ woes, amplified by social media.
This is Kennicott’s first Pulitzer Prize. He was a Pulitzer Prize finalist for editorials opposing a concealed carry gun initiative in Missouri in 2000. Kennicott is the Art and Architecture Critic of The Washington Post and has been on staff at the Post since 1999, first as Chief Classical Music Critic, then as Culture Critic.
The Washington Post’s Pulitzer Prize finalists include Craig Whitlock, Karen DeYoung, Greg Miller and Julie Tate for “The Permanent War,” an examination of the U.S. counterterrorism policies and the use of armed drones; Spencer Hsu for extensive reporting on the Department of Justice's failure to disclose forensic flaws; Eli Saslow for “Life of a Salesman,” an exploration of the recession’s impact on an American family; and Jackson Diehl for his editorials about the conflict in Syria and analysis of U.S. national interests.
In total, The Washington Post has won 58 Pulitzer Prizes since 1936.